Upon discovering a rare piece of opera music, Christine Day (Jill Schoelen) becomes fascinated by it, and finds herself transported back in time to 1889. The composer, Erik Destler (Robert Englund), is the hideously deformed Phantom of the Opera. When Christine performs his music, Erik becomes obsessed with her, and will stop at nothing in his desire to possess her.

1960s drama in which a couple on holiday in Tangiers find themselves caught up in a mystery involving a missing woman and the slave trade. Stephen Armstrong (George Nader) and his wife Marie (Ann Smyrner) are horrified when they hear that a woman known to them, the beautiful Diane (Maria Rohm), has gone missing. They duly agree to help investigate and come across conniving magician Manderville (Vincent Price) and his assistant Rebecca (Martha Hyer), who appear to be affiliated to a mysterious place known as the 'House of 1,000 Dolls'. Have the pair been using their hypnotic abilities for evil purposes?

Here, in his own words, are the illustrious adventures of HARRY ALAN TOWERS, rascal and raconteur, a notorious figure in the world of cinema of whom it was said he could go into any production office in the world and walk out with a movie deal. After establishing himself in 1940s radio with The Lives of Harry Lime and The Black Museum, both starring Orson Welles, Towers produced more than 100 feature films all around the world. He worked in 40 countries from Austria to Zimbabwe, starring the likes of Michael Caine, Christopher Lee, Jack Palance, Klaus Kinski and many more. A lifelong lover of literature, he brought to the screen the works of authors as revered as H. G. Wells, Sir Arthur Conan Doyle and Agatha Christie-and as reviled as the Marquis De Sade and Leopold Von Sacher-Masoch. And as a lifelong lover of women, he made friends and stars, national news and international scandals. "Harry Alan Towers is one of the great unsung producers of post-1960 cinema. Every film he produced carries his distinct personality, as with Selznick or Bronston, but Harry's metier was exploitation. What he uniquely brought to his films was the sense of a connoisseur, and a sense of someone who loved pulp; he appreciated the finer things and smuggled them into some wonderful movies... and some unlikely ones, too. I'm delighted to learn he wrote his memoirs, and I can't wait to read them " - TIM LUCAS, editor of VIDEO WATCHDOG

Spanish director Jésus Franco directs this controversial sado-masochistic drama, regarded by many as his masterpiece. Based on the novel 'Philosophy in the Boudoir' by Marquis De Sade, the film tells the story of an innocent young woman, Eugenie (Marie Liljedahl), who is taken by her father (Franco regular Jack Taylor) to stay at an island paradise at the request of the elegant Madame de Saint Ange (Maria Rohm), with whom he is obsessed. There, Eugenie becomes the unwitting pawn in a game of sexual debauchery and sadomasochistic pleasure as the enigmatic hostess and her stepbrother conspire to corrupt her, transforming her from a virginal innocent into a sexually-charged, drug-addicted sadist.